Stephen Sprouse, Fall 1984, Ready-to-Wear
Thierry Mugler, Fall 1995, Couture
Jean Paul Gaultier, Fall 1995, Ready-to-Wear (Cyber Collection)
Stephen Sprouse, Fall 1999, Ready-to-Wear
Helmut Lang, Fall 1999, Ready-to-Wear
Alexander McQueen, Fall 2003, Ready-to-Wear
Balenciaga (Nicolas Ghesquière), Spring 2007, Ready-to-Wear
Giorgio Armani, Spring 2013, Ready-to-Wear
Vetements, Spring 2016, Ready-to-Wear
Chanel, Fall 2017, Ready-to-Wear
UNDERCOVER, Fall 2018, Ready-to-Wear
UNDERCOVER, Spring 2019, Ready-to-Wear
Louis Vuitton, Spring 2019, Ready-to-Wear
Balmain, Fall 2021, Ready-to-Wear
Balenciaga, Fall 2021, Ready-to-Wear
Schiaparelli, Spring 2022, Couture
Anrealage, Fall 2022, Ready-to-Wear
Dior Men, Pre-Fall 2023, Menswear (RTW)
threeASFOUR, Fall 2023, Couture
Prada × Axiom Space, 2023–, Space Suit Project (EVA)
Chanel, 2026, Ready-to-Wear
Jan 10, 2026
우주라는 요소는 그 범위가 너무나도 넓고 거대하기에, 오랜 시간 수많은 디자이너들에게 영감의 원천이 되어왔다.
각 컬렉션 속에서 드러나는 우주에 대한 해석은 하나로 수렴되지 않는다. 의복의 실루엣과 구조. 액세서리나 소재, 그래픽. 때로는 컬렉션을 둘러싼 무대 장치까지.
이처럼 우주는 단순한 시각적 모티프를 넘어,
디자이너 각자의 세계관과 시대적 감각을 투영하는 하나의 언어로 작동해왔다.
-
The infinite expanse of the cosmos has long served as a boundless muse for designers.
Yet, the interpretation of the universe within these collections is far from monolithic. From the silhouette and construction of a garment to the interplay of accessories, fabrics, and graphics—and even extending to the immersive scenography of the runway—the approach is ever-evolving.
In this realm, the cosmos transcends the role of a mere visual motif; it functions as a distinct language, one through which designers project their unique visions and the zeitgeist of their era.
Stephen Sprouse, Fall 1984, Ready-to-Wear
Thierry Mugler, Fall 1995, Couture
Jean Paul Gaultier, Fall 1995, Ready-to-Wear (Cyber Collection)
Stephen Sprouse, Fall 1999, Ready-to-Wear
Helmut Lang, Fall 1999, Ready-to-Wear
Alexander McQueen, Fall 2003, Ready-to-Wear
Balenciaga (Nicolas Ghesquière), Spring 2007, Ready-to-Wear
Giorgio Armani, Spring 2013, Ready-to-Wear
Vetements, Spring 2016, Ready-to-Wear
Chanel, Fall 2017, Ready-to-Wear
UNDERCOVER, Fall 2018, Ready-to-Wear
UNDERCOVER, Spring 2019, Ready-to-Wear
Louis Vuitton, Spring 2019, Ready-to-Wear
Balmain, Fall 2021, Ready-to-Wear
Balenciaga, Fall 2021, Ready-to-Wear
Schiaparelli, Spring 2022, Couture
Anrealage, Fall 2022, Ready-to-Wear
Dior Men, Pre-Fall 2023, Menswear (RTW)
threeASFOUR, Fall 2023, Couture
Prada × Axiom Space, 2023–, Space Suit Project (EVA)
Chanel, 2026, Ready-to-Wear
우주라는 요소는 그 범위가 너무나도 넓고 거대하기에, 오랜 시간 수많은 디자이너들에게 영감의 원천이 되어왔다.
각 컬렉션 속에서 드러나는 우주에 대한 해석은 하나로 수렴되지 않는다. 의복의 실루엣과 구조. 액세서리나 소재, 그래픽. 때로는 컬렉션을 둘러싼 무대 장치까지.
이처럼 우주는 단순한 시각적 모티프를 넘어,
디자이너 각자의 세계관과 시대적 감각을 투영하는 하나의 언어로 작동해왔다.
-
The infinite expanse of the cosmos has long served as a boundless muse for designers.
Yet, the interpretation of the universe within these collections is far from monolithic. From the silhouette and construction of a garment to the interplay of accessories, fabrics, and graphics—and even extending to the immersive scenography of the runway—the approach is ever-evolving.
In this realm, the cosmos transcends the role of a mere visual motif; it functions as a distinct language, one through which designers project their unique visions and the zeitgeist of their era.
